
Nora Zarkandi
The Woman

2014 · 7 min · Iran · Persian · Color
As his wife prepares to leave him, a man becomes entangled in a labyrinth of thoughts and memories, where the boundaries between reality and imagination dissolve, revealing an unsettling and elusive truth.
A couple struggling with the breakdown of their relationship decides to separate. As the woman prepares to leave their home, her husband becomes consumed by a series of thoughts and memories that gradually unfold into the events shaping the story. As these events intertwine, the boundaries between reality, memory, and imagination begin to blur, leaving the audience uncertain of what is real. Drawn into this shifting narrative, viewers find themselves sharing the characters’ sense of being trapped in a hidden, enigmatic reality that defies understanding.

Reality is not always what we experience, but often what we remember, imagine, or choose to believe. Our perception is shaped by emotions, fears, and desires, blurring the boundaries between the external world and our inner reality.
Through the breakdown of an intimate relationship, this film explores the fragile connection between reality and subjective experience. As the husband confronts separation, his thoughts, memories, and imagined possibilities intertwine, creating a psychological labyrinth in which time and reality lose their familiar meanings.
My intention was to explore the invisible worlds that exist beneath human relationships and how two people can share the same space while inhabiting entirely different psychological realities.
Through a fragmented narrative, I invite the audience to experience the characters’ uncertainty and disorientation rather than simply observe them. Ultimately, the film questions the reliability of perception and explores the mysterious ways in which the human mind reshapes reality when confronted with loss.

The Woman

The Man