[IN]VISIBLE MEANING
Solo Exhibition
19th - 21st April 2023
Budapest, Hungary
The Bubble is a photographic installation that captures a soap bubble suspended near the sharp tip of a pole—frozen in a moment of fragile tension. Displayed behind a metal fence, the work creates both a visual and physical barrier, inviting the viewer to engage from a distance.
This spatial setup emphasizes themes of vulnerability, restriction, and emotional detachment. The piece reflects on how meaning is shaped not just by what we see, but by how we’re positioned to see it—suggesting that distance and inaccessibility can deepen our emotional and interpretive response.
The Bubble is a photograph capturing a large, fragile soap bubble suspended midair, hovering dangerously close to the sharp tip of a pole atop a building. The image, part of the [IN]VISIBLE MEANING collection, creates an uncanny optical illusion: the bubble appears to be on the brink of bursting, frozen in a moment of imminent collapse.
In the installation, the photograph is displayed behind a sturdy metal fence at the entrance to a small, dimly lit room. This spatial arrangement is integral to the conceptual framework of the work. The bars act not only as a physical barrier but also as a symbolic one—suggesting protection, restriction, and emotional distance. They shield the image from direct access while simultaneously intensifying its perceived fragility and significance.
The fence, while preventing the audience from entering the space or approaching the photograph, plays a crucial role in shaping the narrative experience of the work. It provokes a sense of voyeurism: the audience becomes a witness to an event they cannot influence, evoking both helplessness and heightened curiosity. The act of being physically barred from the photograph invites viewers to mentally cross that boundary, stimulating a deeper imaginative engagement with the scene.
The installation therefore becomes a metaphor for the way we often experience delicate or critical moments in life—from a distance, unable to intervene, yet emotionally absorbed. The bubble, as an image of beauty and ephemerality, stands in tension with the threatening pole, creating an internal visual narrative of danger and vulnerability. This internal tension is mirrored and magnified by the external spatial condition of the installation—the photograph being rendered untouchable and slightly obscured behind the fence.
This interplay between internal narrative elements (such as composition, symbolism, and contrast within the photograph) and external narrative elements (the curatorial decision to display the work behind a barrier) exemplifies the project’s central inquiry: How do meaning and emotional resonance emerge not only from what is shown, but from how and where it is shown?
By confronting the viewer with an inaccessible image of imminent catastrophe, The Bubble Installation explores how limitations—both physical and psychological—can paradoxically draw us closer, sharpening our awareness and deepening our interpretive response. It ultimately asks whether obstacles in perception can actually become facilitators of meaning, prompting viewers to construct their own narrative in the gap between what is seen and what is withheld.